It is often said that after a very successful debut novel, it is extremely difficult to provide something just as warmly received the second time around. Indeed, it is the same in all branches of the arts, with musicians under pressure to ensure that their second album is every bit as good as the first, while many film sequels aren’t met with the same level of endearment as the original.
Author Clare Mackintosh provided an instant hit with I Let You Go, a chilling psychological tale of tragedy and isolation. The plot twists left us completely stunned and filled with awe, having been led to believe one thing only to realise the truth was something completely different. In short, it was an absorbing, compelling read.
After the awards that came her way as a result of producing a standout entry among the plethora of psychological thrillers that currently inhabit the literary sphere, Mackintosh set to work on I See You, another novel that intertwines the nitty-gritty of a police investigation with narration from the main protagonist.
We are immediately introduced to Zoe Walker, a 40-year-old mother of two who works for a London estate agent. She left her first husband Matt some years previously, and now new partner Simon – a journalist at the Daily Telegraph – has recently moved in, much to the resentment of her son Justin.
Justin works at a café owned by next door neighbour Melissa, who is Zoe’s closest friend and confidant, always seeking a new business opportunity. Daughter Katie is a budding actress who suddenly finds an opportunity to showcase her talents in a theatre production of Twelfth Night, falling for her streetwise producer in the process.
Zoe is, generally speaking, a very unremarkable human being. She complains about her job and the daily slog of commuting to and from work; she is overprotective of her children, and she is besotted by Simon, with whom she has a touchy-feely, but not entirely open relationship.
However, her life changes when she notices her photo placed randomly in the London Gazette, and further investigation shows that a new female face is placed in the newspaper each day. It soon emerges that several of these women have been a victim of crime, leading Zoe to move into a state of red alert and to fear everyone around her.
She informs Kelly Swift of the British Transport Police, who has recently been demoted having undergone disciplinary proceedings for assaulting an offender. She uses her vital input in Zoe’s case to earn a three-month placement at the Metropolitan Police’s Murder Investigation Team and a partnership with the well-respected DI Nick Rampello.
As the case progresses and more leads are found by police, it becomes clear that a website has been created that allows people to download the daily commutes of countless individuals – including Zoe – through the London underground network, revealing a tremendously sophisticated criminal operation.
Kelly continues to impress with her detective work, while Zoe becomes increasingly suspicious of those around her, becoming completely enveloped by the case, and the fear that anybody she encounters on her daily commute could subject her to a brutal attack.
It is here where Mackintosh excels the most, capturing the true depth of human emotions such as fear and vulnerability. She also keeps you guessing as to who the offender really is, and while on this occasion the truth isn’t so well hidden, the rather violent denouement is a real page turner, purely due to the tension that builds during a gripping final encounter.
The themes of the novel are very clever and thought provoking, but I See You is not quite at the level of I Let You Go. Many of the characters are incidental and lacking any real substance, while the twists don’t quite have the same effect. It is still a good read which raises questions until the very last page. And after reading said page, the prospect of a sequel seems not altogether fanciful.