While browsing in a Swindon bookstore back in August, I came across the name Clare Mackintosh. Having been consumed by a desire to read one of the numerous psychological thrillers that seem to be appearing everywhere these days, I was soon overcome by intrigue following a quick glance at the cover.
The blurb screamed out at me. This author’s card had been marked.
Fast forward two months later and I eventually decide that it’s time to bite the bullet and buy her debut novel I Let You Go, and on the whole that proved to be a very good decision. While I’m not normally the kind of person to judge a book by its cover, there was just something in the description which told me that I just had to choose this as my latest reading foray.
Almost immediately I am hit with a dose of familiarity, as much of the story (including the tragic accident around which it is based) takes place in Bristol, my glorious hometown. The prologue sets everything up, as a excitable five-year-old boy escapes from his mother’s grasp and is struck dead by a passing car, which fails to stop.
The journey from then on takes us to a rural Welsh community, where protagonist Jenna Gray finds refuge and attempts to rebuild her life after what happened. Meanwhile, the police investigation continues back in Bristol and sub-plots are introduced such as the overly amicable relationship between Detective Inspector Ray Stevens and his junior officer Kate Evans.
Although some of the first part can be reasonably described as prosaic and at times predictable, it always remains captivating, and it ends with an incredible twist which will have the reader questioning every event in the novel that has previously taken place. All I will say is that there is more to Jenna’s story than bereavement.
The full police investigation takes place over a timeframe of two years, during which time DI Stevens and Kate go deeper into the case and ultimately discover truth. Meanwhile, Jenna’s past is detailed at length, as we discover the sequence of events which ultimately led to the accident.
These passages are written using both the first and second person narrative, a fine insight into the innermost feelings of the characters concerned. It is interspersed with occasional acts of violence which do not make for comfortable reading, but in the context of the story they are massively effective and reflect a painful hidden reality.
Another amazing twist takes place very late on in the novel; one which forced me to stop reading and engage in a brief period of contemplation. It leads on to a dramatic finale, while the closing epilogue is ominously ambiguous, just to compound the suspense.
Over the past year, I Let You Go has been the recipient of some literary awards, and it’s easy to see why. It is a very strong, powerful novel, as well as serving as a bold debut from Mackintosh, whose former experience as a police officer really shines through.
This is the age of the psychological thriller, as exemplified by the success of Paula Hawkins’ The Girl on the Train, adapted into a film in double quick time. I Let You Go acts as a very worthwhile contemporary, and should be enjoyed by anyone partial to crime fiction too.
My final word of advice regarding I Let You Go: Never assume anything!!!